Archive | April, 2010

It’s Time Toronto

14 Apr

From blogTO: What is Time Toronto? by Tim

Over the last few weeks I’ve seen them everywhere. In the Club District. On King East. Large posters plastered (illegally) to the side of hydro boxes, light poles, construction boarding and anything else that your friendly neighbourhood wheatpaster can locate. They’re black, they’re basic and they’re mysterious, boldly announcing “It’s time for something new” and teasing that timetoronto.com is coming soon.

But what is Time Toronto? A new nightclub? A magazine? A Toronto mayoral candidate website? A boutique selling funky watches? A little investigation reveals no answers. The web site leaves no clues, nor does the email I receive when I sign up to be notified of its impending launch.

A cursory review of the Who Is records reveals nothing as the registrant is the Domain Privacy Group c/o timetoronto.com.

Twitter comes up empty as does Facebook. So does anyone know? What is Time Toronto?

Pandora Station

13 Apr

From Marketing Magazine: Avatar’s Big Blue Aliens Invade Union Station by Jeremy Lloyd

The thousands of commuters leaving Toronto from busy Union Station last night may have felt as though they travelled further than they planned. Much of the bus and train station’s busiest concourse is covered in images of Pandora, the alien world of James Cameron’s 3D blockbuster Avatar.

The four-week station domination, which went up Monday to announce the film’s April 22 release on DVD and Blu Ray, is the largest domination package ever sold by IMA Outdoor, which owns the media at Union Station.

According to Stephanie Jacobs, marketing manager for Twentieth Century Fox Home Entertainment, the package includes never-before-sold portions of the environment thanks to extended negotiations with Go Transit, which sells tickets from the concourse floor.

Aside from large floor and ceiling coverings, pillar wraps, video screens and other more traditional elements of such executions, Twentieth Century Fox created a large-scale model of the film’s Home Tree environment.

IMA also set aside part of the lower concourse as a “Pandora zone,” where eight-foot-tall cut outs of movie characters stand against a back-lit mural.

“If you look up you will see us, if you look down you will see us,” said Jacobs.

Union Station was chosen for its high foot traffic. “It’s located in the heart of downtown, and in proximity to the Air Canada Centre. It allowed us to do something really visible,” Jacobs said. “We needed a high-impact execution that lives up to what the movie did theatrically.”

Zenith Optimedia handled the buy. Creative elements were made jointly by Fox’s in-house team and Markham, Ont.’s Timbol Design Communications, which worked on the 2005 DVD launch campaign of the last Star Wars trilogy.

McGardiner Museum

13 Apr

From the Torontoist: McDonald’s Constant Gardiner Museum Ad Is a Matter of Taste by Emily Shepard

Look once, and you might think the Gardiner Museum was testing a tongue-in-cheek advertising campaign for its latest exhibit. Look twice, and you’ll see the golden arches and flashing arrows tempting you to try the new McMini Sandwich with its “not so subtle” flavour. What have we here?

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According to Chapter 693 of the Toronto Municipal Code [PDF], it’s an illegal sign. The city bylaw bans portable signs that do not belong to the business on whose property the sign is displayed (§ 693-18 B[4]), as well as portable signs that are “animated, illuminated, [or] have flashing lights” (§ 693-18 C[3]).

According to the Gardiner, it’s a piece of revenue-generating advertising that supports the museum’s programs without offending its mission and vision. With less money for the museum’s programming, the Gardiner has looked to proposals from advertising agencies for extra funding.

The Gardiner has agreed to host other outdoor ads in the past, including one for the Visa “Go” campaign (and McDonald’s has placed 3D ads elsewhere before). While the Gardiner ads are always located outside the exhibition areas, the advertiser otherwise chooses where to place it—in this case, right between two “What’s On” posters for the Gardiner.

The Gardiner doesn’t deal with the issue of city permits or legality; presumably, that’s left to the advertising agency representing McDonald’s. Sadly, McDonald’s would not return our calls on Tuesday. [UPDATE, April 10, 2:30 a.m.: McDonald's returned our call on Friday: the creative agency behind the ad is Cossette, the placement agency is OMD, and the same ad is also on display in Montreal—and, possibly, Vancouver.]

Mary-Margaret Jones, a public relations consultant speaking on behalf of the Gardiner, called the installation “tasteful,” “not garish,” and “not as rankling” as other forms of outdoor advertising. Truth be told, this seems an odd stance to take on an always on, act-now advertising campaign that uses big arrows and flashing neon lights to draw attention to itself. But hey—if you don’t try the McMini, at least you can ponder the uneasy marriage between art and advertising because of this illegal, not-so-subtle sign.

The Gardiner Museum’s Illegal McDonald’s Ad from Torontoist on Vimeo.

New TTC Ads

13 Apr

From The Torontoist: TTC Advertises Itself by David Topping

Yes, the TTC has billboards all around Toronto advertising nothing other than the TTC; no, they’re not costing you a thing.

A few readers have emailed to ask about the big, simple, black, white, and red billboards with a TTC logo sandwiched between the TTC’s website and phone number. Like most others we’ve found, the billboard above, at Queensway and Islington, isn’t perched over TTC property, which has led a few Torontoist readers to ask us how much the ads are costing the TTC.

Rage not: the ads are part of the TTC’s existing advertising contract with CBS Outdoor. CBS Outdoor, if you were unfamiliar with them, supplies ads like this and this and this and this to the TTC. According to outgoing TTC Chair Adam Giambrone, “there is no cost to TTC,” since “production and media cost is covered by CBS.”

We called CBS Outdoor Director of Marketing Michele Erskine for additional information (how many of the billboards are scattered around the city, how CBS determines where to put the ads) but she told us that she couldn’t comment on any contract her company had, even when it came to things like locations of ads. Giambrone had explained earlier, though, that the billboards’ locations are entirely at CBS Outdoor’s discretion, and are “unsold space,” meaning that the TTC’s billboard ads are filling billboards that would otherwise be empty. Next time you see one, don’t wonder what it’s costing you—wonder what other ad you don’t have to see instead.

Related Post:
TTC Vintage Commercials

Smoky Billboard

13 Apr

From The Torontoist: A Cigarette on a Condo Billboard? Cut That Out by Quin Parker

Let’s just say you’ve got an advertising brief in front of you for a new ultra-upscale Toronto condo.

This condo, The Avenue, is being built on the very edge of exclusive Forest Hill. It’s got twenty-four-hour valet parking, a private elevator to your suite, million-dollar price tags, and all the other things that make Toronto Life so very excited.

To attract your core audience, you’re going to be thinking glamour. Exclusivity. You’re going to want to appeal to the fabulously wealthy and devil-may-care. People all about conspicuous consumption, who sprinkle powdered gold on their breakfast cereal and shop for cat litter at Swarovski.

Well, what’s more glamorous, dangerous, and expensive than smoking? Congratulations—you won the contract!

Smoker Girl, as we will call her, starred in an ad at the southwest corner of Avenue and St. Clair West, cigarette in hand, starting in early March. She oozed sophistication and class. (She also oozed a little tar from her fingernails.) And then, about a week after she first appeared, her cigarette vanished from her fingers.

Not everybody who went past this corner was the ad’s target audience, and so many may not have appreciated the three-metre-high Hepburn-a-like flapper with a coffin nail. Avenue Road is a major route into the city from the 401, and thousands of cars drive past every day, not to mention fleets of Greyhound and Ontario Northland buses, whose passengers must be dying for a smoke after a seven-hour ride from North Bay. To cap it all off, the girl was a puff and a gust of ash away from 55 St. Clair West, home of the Ontario division of the Canadian Cancer Society—an organization not commonly thought to be fond of nicotine.

Billboard adverts promoting tobacco have been under a federal ban since 1997, but adverts promoting something else, which happen to feature cigarettes, are a different story. There’s no law against it, as far as we can tell.

Still, someone decided that something had to be done, and so the cigarette was meticulously removed from the ad, leaving a thin cutout of a rectangle in its place.

Torontoist can’t decide whether that bowdlerized banner was a complete, crashing snafu, or a work of genius: cutting a cigarette-shaped hole in a cigarette, revealing a cigarette-coloured piece of building underneath, did not really make it look as if Lauren Bacall here was no longer holding, you know, a cigarette. (What were we supposed to think she was holding? A hot sausage?)

Alas, the ad altogether disappeared sometime early Friday morning. Our emails to Camrost Felcorp, the firm behind the construction of the building, asking why the advert was taken down, were left unanswered. And on Sunday afternoon, a new advert appeared with a different picture of a woman clad in black getting out of the back of a limousine. Presumably she was arriving at Smoker Girl’s funeral.

All that’s left to do is marvel at the architect whiz who configured the building behind the advert precisely so that the sliver of it visible underneath the ad still looked like a cancer stick. Rest in peace, Smoker Girl, and your not-very-invisible invisible cigarette.

Gum, anyone?

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